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The school was owned and run by his father's friend, Ahmad Munif al-Aidi. Qabbani was raised in Mi'thnah Al-Shahm, one of the neighborhoods of Old Damascus and studied at the National Scientific College School in Damascus between 19. His mother, Faiza Akbik, is of Turkish descent. Thus Hemingway understood literature, and thus Kafka, Lorca, Camus, and Mayakovski, and others who have lived their lives and writings in the isthmus between life and death.Nizar Qabbani was born in the Syrian capital of Damascus to a middle class merchant family. The poet cannot choose ice and fire together he cannot be in the forest and the city simultaneously and he cannot be in survival and death at the same time! However, what surprises us is that this phenomenon persists in modern Arabic poetry, where we notice that some of our poets as well have been turning into “buses,” turning left and right to the capitals of the Arab world, carrying in their trunks acting costumes, make-up, and poems whose titles change according to “the requirement of the situation”!
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“Poetry’s buses” are well known in the history of ancient Arabic poetry, and the “garages” of caliphs are crowded with thousands of hypocritical poems which have, with the passage of time, become skeletons of tin plate and piles of scrap metal. He must stay naked like a wild horse, refusing all the saddles the regimes are trying to place on its back.Īnd once the writer loses his Bedouinness, his wildness, and his ability to neigh once he opens his mouth for the iron bridle and grants his back to riders, he is transformed into “a government bus” forced to stop at all bus stops, and submit to the conductor’s whistle! He must stay barefoot in order to feel the heat of the earth, its swellings and the pain of its stones. The writer has to remain in his depths a Bedouin dealing with the sun, with salt, and with thirst. Writing is not a Persian rug on which the writer walks, as Jean Cocteau says nor is it a seat covered in Aubusson, or a pillow of bird feathers into which our heads dive, or a private yacht on the deck of which we bask in the sunshine…and drink icy Dutch beer. There is no real writing outside involvement. His essay resonates with the disappointing stances of some Arab intellectuals and littérateurs vis-à-vis the Arab Spring. In the piece below, Qabbani expresses his disappointment with some of the Arab writers, artists, and intellectuals. He wrote love poetry and political verse to criticize the rampant corruption of Arab dictators. Qabbani was one of the most popular and bestselling poets in the Arab world. According to his request, Qabbani was buried in Damascus, which he described in his will as “the womb that taught me poetry, taught me creativity and granted me the alphabet of Jasmine.” In 1981, he moved to London where lived until he died from a heart attack at the age of 75 in 1998. During his stay in Beirut he establishied his own publishing house and wrote for the Weekly magazine Al Usbu’ al ʻ Arabi from which this article is excerpted. In 1966, Qabbani resigned from his diplomatic post and moved to Beirut, where he started writing even more angry and critical poetry following the 1967 Arab defeat, publishing "Notes on the Book of the Defeat" (Hawamish `ala Daftar al-Naksa). During the years following the 1948 Nakba, Syria witnessed much unrest, and Qabbani turned to composing national poetry in which his bitterness at the Arab defeat is manifest, and the first of which is his famous poem “Bread, Hashish and Moon” ( Khubz wa hashīsh wa qamar) which was banned at the time. He graduated from the Law School of the Syrian University in 1945, and started a diplomatic career that enriched his life experience and contributed to the maturation of his poetry. In 1942, Qabbani’s first poetry collection The Brunette Said to Me (Qālat lī al-samrā’) was published in Damascus, marking the beginning of his career as a love poet, and earning him sharp criticism from conservative critics. It is believed that this tragic event incited Qabbani to write poetry that expresses women’s desire and exposes their social condition. At the age of 15, Qabbani’s sister committed suicide because she was unwilling to marry a man she did not love. He was born and raised in Damascus in a middle-class merchant traditional family.
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Nizar Qabbani (1923-1998) was a Syrian poet, essayist, diplomat, and publisher and one of the most popular poets in the Arab world in the last few decades of the 20 th century.